by on July 7,2013



John Curran’s Tracks, from The King’s Speech producer See-Saw Films, will have its world premiere as the opening night film of the Adelaide Film Festival on October 10.

Based on an iconic book, the film tells the true story of author Robyn Davidson’s 1,700 mile trek from the middle of Australia to the Indian Ocean in the late 1970s.

Many fine actresses “came after” the role, Curran told ScreenDaily, but from the minute he met Mia Wasikowska he felt she had the ability to embody the complex and contradictory real-life character.

“There was something about her (Wasikowska’s) spirit … She’s very very smart and good at articulating ideas, which was remarkable to me at such a young age. She is in practically every frame of the film and was on set every day in that heat, often miles away for the wide shots, managing on her own with four camels and a dog.”

Tracks was filmed over eight weeks in remote desert locations in South Australia and the Northern Territory and Curran said he got a lot of pleasure from working in that environment.

He is also very pleased that the last feature he expects to make using the medium of film – the transition to digital is a painful one for him, he said – took full advantage of Australia’s spectacular landscapes and light.

“I was determined that my last ever film using the medium of film would… not be some interior story set in an apartment somewhere.”

The producers of Tracks are Emile Sherman and Iain Canning from See-Saw Films, the production company that straddles Australia and the UK and also produced Oscar winner The King’s Speech. Julie Ryan and Antonia Barnard are the co-producers. The movie will be released locally by Transmission Films and handled internationally by Hanway Films and Cross City Sales.

This year’s Adelaide Film Festival is the first held under the directorship of Amanda Duthie and the first held late in the year instead of early.

Source

by on April 4,2013

Mia posed for the stellar new 2013 March W Korea cover shoot by Hong Jang Hyun with Ryan Hastings’ Givenchy taken styling.




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Magazine Scans > Magazine Scans 2013 > March – W Korea

by on March 3,2013

Mia Wasikowska hunkers down on the cover of Dazed & Confused magazine’s March 2013 issue. In the mag, the 23-year-old actress chats about not playing into the Hollywood fame game and her deep desire to be considered a bad-as. Mia also talks about her evolution as an actress in her very successful young career.




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Magazine Scans > Magazine Scans 2013 > March – Dazed & Confused

by on January 1,2013

In the visually stunning, stunningly perverse “Stoker”, Mia Wasikowska stars as a special teenage girl who finds herself very much alone after her father’s sudden death. Trapped in a home with her needy mother (Nicole Kidman), a mysterious Uncle Charlie (Matthew Goode) whom she never knew existed, and an eerily enhanced sense of sound, Wasikowska’s India Stoker is forced to acclimate to a twisted new family dynamic. The film, which is the English-language debut of South Korean auteur Park Chan-wook, made its world premiere at Sundance Sunday night. And while some critics took issue with minor holes in the plot and a supporting role for Nicole Kidman that could have been made more substantial, its arresting cinematography (by Chan-wook collaborator Chung-hon Chung) compensates for any shortcomings. Full of oblique angles, a pastel palette to offset the morbid story, and creepy cutaways (one extreme close-up shows India sharpening the blood-soaked pencil she just used as a weapon), the film is always lovely to watch, even during its most disturbing sequences.

Equally lovely and disturbing is Wasikowska’s performance as an 18-year-old who finds herself inexplicably attracted to her strange uncle, despite the fact that she does not like to be touched. (Their chemistry is teased in one erotically charged piano duet that leaves her panting.) With her particular cocktail of eccentricities, horror appeal, and Sissy Spacek complexion, Wasikowska recalls another seemingly shy high-school character profiled on film: Carrie, the Stephen King heroine who wreaks havoc on her hometown. They aren’t carbon copies—India does not have telekinetic powers or a Christian-fundamentalist upbringing. But like Carrie, India has an unstable mother, is relentlessly bullied at school, and crosses that fine line between sheltered innocence and a frighteningly violent nature. She gets revenge on a few classmates, is sexually confused, lacks a father, and is a loner. India also appears in a dramatic shower scene that depicts a pivotal moment in her physical maturation. It does not involve blood or fellow classmates, but it occurs after a gruesome event and is Wasikowska’s boldest scene.
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by on January 1,2013

India Song: Park-wook’s English Language is Stylized Creepy and Kooky

Park Chan-wook StokerSouth Korean master Park Chan-wook returns with his English language debut, Stoker, a heavily stylized mystery thriller that’s a grotesquely decorated façade with a heart as cold as ice. Based on a screenplay by actor Wentworth Miller (and contributing writer Erin Cressida Wilson), and featuring a dazzlingly assembled cast, there’s a conglomeration of odd elements at hand here, creating a final product that feels as banal as it is strange, and as foreign as it is mainstream. Presenting itself as a densely constructed narrative, the film instead reveals itself to be a simple tale made more complicated by the way it’s edited together. Operating mostly on its significant use of slow burn narrative and creepy details, it reaches a fast boil in its final frames, which may be too little and too late for most audiences. But one can’t deny the broody elements of the film that come back to tease and haunt.

On her eighteenth birthday, India Stoker’s (Mia Wasikowska) father Richard (Dermot Mulroney) dies in a terrible car accident, and she’s left alone with her distant mother, Evie (Nicole Kidman). After his funeral, Richard’s mysterious brother Charlie (Matthew Goode) appears, who only the housekeeper Mrs. McGarrick (Phyllis Somerville) uneasily seems to recognize. He ingratiates himself upon Evie and India, and seems to have a particular fascination with everything India does. A pale and precocious child that has a phobia of being touched, India seems alarmed and intrigued at the flirtatious interests of her uncle, and they both share a preternatural audio ability. On the other hand, Evie seems extremely warm to the advances of the handsome Charlie and barely notices when Mrs. McGarrick suddenly disappears, and doesn’t seem suspicious when an unexpected visit from Aunt Gin (Jacki Weaver) also ends mysteriously. While India gets involved in a precarious relationship with Whip Taylor (Alden Ehrenreich), a boy at school, the mystery surrounding Charlie’s dark past slowly start to surface.
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